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"Huella" |
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It was danced in different regions of our country. So also in Buenos Aires Campaign 1900. |
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CLASSIFICATION |
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Courtship Dance. Each dancer on its own and separately |
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POSITION |
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Faced each other at both extremes and in the middle sector of the dancing square. |
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ELEMENTS |
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Basic step (starts with the left foot). Arms and hands in castanet position. Arms and hands in Winnowing and "Zapateo" positions. Hands position to turn to the lady |
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www-aquifolklore.com.ar |
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CHOREOGRAPHY |
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| Introduction | 16 measures |
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Adentro! |
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| Half Turn | 4 measures | ||||||||||||
| Rotation | 4 measures | ||||||||||||
| Half Turn | 4 measures | ||||||||||||
| Rotation | 4 measures | ||||||||||||
| "Zapateo" and Winnowing | 4 measures | ||||||||||||
| Turn to the lady with right hands | 4 measures | ||||||||||||
| "Zapateo" and Winnowing | 4 measures | ||||||||||||
| Turn to the lady with left hands | 4 measures | ||||||||||||
Aura! |
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| Half against return, man from backs | 4 measures | ||||||||||||
| Rotation and Coronation | 4 measures | ||||||||||||
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The second part is similar to the first. |
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Variant: Rotation, Half turn (for Half turn, Rotation) to
change place, with right hands and the same with left hands (for Turn to the lady with right an left hands) |
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Aires
Arunguita
Calandria Caramba
Chacarera
Cuando Ecuador
Escondido
Gato
Mariquita
Malambo
Media Caņa
Patria Pericon Nacional |