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Zamba |
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Ana María Maurer With Roberto Abalos |
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CHOREOGRAPHY |
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| Introduction | 8 measures |
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| Adentro | ||||||||||||||
| Full turn | 8 measures |
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| "Arresto" | 4 measures |
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| Half turn | 4 measures |
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| Double "Arresto" | 8 measures |
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| Half Turn | 4 measures |
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| "Arresto" | 4 measures |
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¡AURA! |
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| Half turn and both dancers meet and coronation | 4 measures |
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| History: It's a love dance with a choreography which originates from "La | ||||||||||||||
| Zamacueca " (from Lima-Perú) and from the chilean " Cueca ". The name | ||||||||||||||
| originates from " La Zamba "(an ancient peruvian dance). When it became a native dance, the handkerchief was incorporated as an extension of the hand. | ||||||||||||||
| Broadcasting: Throughout the country | ||||||||||||||
| Position: In the middle extremes of the dancing square. | ||||||||||||||
| Accessories: A handkerchief | ||||||||||||||
| Elements: A walking step, an alternate step (2 steps at one time) and a tip toe | ||||||||||||||
| alternate step or "sobrepaso punteado" (3 steps at one time) . | ||||||||||||||
| Important: Bear in mind that the zamba step is equivalent to 1/2 a musical compass. | ||||||||||||||
Arunguita Calandria Chacarera Cuando Escondido Gato La Patria Pericón Nacional Triunfo |
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